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Anime
Series
Anime can be broken up into several main categories. We have
the pedophilic magical girl anime, where some underaged little girl will
wave a stick and turn half-naked for your viewing pleasure, we have the
whole giant-robot thing, where small
penised individuals jump in monolithic versions of themselves,
we have the violent shows with ludicrous amounts of firearms for absolutely
no good reason except that guns are somehow supposed to be cool, and we
have the inane comedies where seeing people punched
into orbit every episode is fresh and creative.
For magical girl, let's begin by looking at what they say is the number
one (note that I used English, and didn't say something lame like ichiban,
which sounds more like some kind of highway) anime of all time, Sailor
Moon. No, that isn't
some strange candid shot -- Serena (excuse me, 'Usagi') pretty much always
looks like that. The plot goes something like this -- some classic
blue eyed, blonde ditz is zapped with the woman from Murder She Wrote's
bald spot, so all of a sudden she has the power to transform her clothes
into a super-tight leotard and the shortest skirt ever seen on a fourteen
year old by simply waving a phallic symbol around. She
is aided by a bunch of other whiny fourteen year olds, dressed in equally
inappropriate attire. There are 200 episodes, and in 199 of them, a completely
different monster comes out to attack them. This is followed by the monster
kicking her around, until a guy in a tuxedo and mask shows up. Would you
like to guess what his name is? Tuxedo Mask -- oh, the creativity of the
writers! He pauses the action and speaks some lame line like, "Don't
worry Sailor Moon! You are cool so if you just believe, it will be ok!"
Then he leaves, and Sailor Moon whips out her wand and zaps the monster
with a light, causing it to distintegrate. Why exactly she can't do this
at the beginning of the fights before everyone is beatup is left unclear.
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After watching this a hundred and ninety
nine times, one must question a few things. Why is it that if the evil
forces of the world have so many monster cohorts, they don't send all
of them to attack? Doesn't sending one at a time get a little old after
a couple dozen attempts? Or why not just attack them at school? Oh wait!
I forgot! Even though when 'transformed' the only thing different is that
the skirt gets shorter and the shirt gets tighter,
nobody, not even their own family, can recognize them.
And
why is it that these world-domination type people have to choose that
very corner of Japan to raise havoc? Why don't they suck the energy of
people in the next town over, or heck, any of the other hundreds of nations
in the world? After all, the heroines have school and makeup parties to
attend to. Not to mention the fact that the transformation sequences,
which take up fully half the show and are long enough for you to visit
your favorite porno site and wank a bit before it is finished is an excellent
opportunity for the evil forces to attack -- but
no, they just stand there looking at all the pretty colors.
This
show, much like others, was aimed at little kids; we're talking 9-12 year
olds, yet became immensely popular among 25 year old nerds. It can't be
for the animation, whose quality is something between Atari Pacman and
that talentless loser who draws the comics in your school newspaper; and
it can't be for the story of seeing a monster pop up to be instantly turned
to ash by waving a wand a hundred and ninety nine times -- I'll wager
the only reason people watch it is to see sexy 14 year
olds in skimpy outfits.
Next we have another very popular genre: The We Have Lots Of Guns And
We Shoot People With Them show! There's a popular show out there of
this sort called Noir, which is a
snobby French way of saying negro. Do not assume that it
means the show is classic film noir style, because there is no plot and
there are no detectives -- although there are about three hundred murders
and a bucket of popcorn. In the show, we have another stinking little
kid who is really a super-uber-mega-cool assassin. Now when I shoot the
neighbor's cat with a 1934, nothing happens, but when she does it people
are spun around, fly out of windows, and explode into red mist.
Not being a homeboy from south
central, she can't legitimately hold her gat all
sideways like. Since this is a stupid cartoon, she can't
possibly hold it properly either, or else people might use it as a training
video and shoot up schools -- and so she finds the happy medium of diagonal.
Note the sexy pseudo-Stanfordesque one handed stsance. Her tilted cohort
is some blonde Frenchie who throughout the entire series, wears the exact
same shirt and the exact same skirt (or maybe she just has fifty
of each). Also being a professional assassin, her weapon of choice is
the POS (that's short for point of sale) P99, which she thinks is oolong
as she hands it to you cup
and saucer style. To round off the cast, we have the 'bad
guy' assassins who are your standard fare, Saturday Morning Cartoon characters.
One of them has the sole attack of putting poison on her nails so that
she can claw you with them, and the other is a normal happy girl until
she puts on a green coat that transforms her into the blade slinging bitch
of death. Oh yes, and she can also dodge rainstorms of bullets coming
from four dozen guys in suits, as she dispatches them with an unending
supply of ninja skills while bouncing off walls. Dick Grayson (that would
be Batman's heterosexual partner) would be proud. Come on, and people
say Japanese cartoons are somehow vastly superior to the American fare?
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But wait! What about the plot? Well, it
goes something like this: we meet these two assassins, who are such nice
people that they are banned from having any friends and that they kill
anyone people will pay them to, while striking lame poses such as the
one on the right. Next on Fox, when ceilings attack!
Oops,
you saved my life? Die! Oops, you are a nice old man that some poor village
depends on for food and kindness? Die!
Oops, you offered me free information? Die! Wow, I empathize with these
characters already! The Professional this is not -- not being Japanese,
I do not inherently possess a little kid assassin fetish. Kirika is described
as being neato because she can take out people with sporks and doesn't
feel any remorse or feelings for having paid to see Saving Silverman.
Mireille on the other hand is swell because she kills plenty of people
with money as the sole reason (much like the IRS), and though she
has feelings, she simply doesn't care. Wow. What valorous heroines. Absolutely
nothing happens in the twenty six episodes, save for the fact that they
are hired out to kill various people. Now I understand that Japanese people
are supposed to have smaller penises than your average American, and the
same holds true for most of the anime fans who watch this drivel, but
isn't this basically the glorification of murder? You shall not find literary,
artistic, or scientific value here. I am told 'suspense' is not a known
word (instead, they say 'su-su-pu-penis') to Japanese. The characters
never worry about how to kill someone, or what they shall do next week
when the price of pork bellies plummets. It is said that stories are tales
of conflict, but the only conflict here is how Kirika supports such a
giant head on that pencil of a neck.
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To be fair, I can't neglect the comedic
shows. Perhaps the most popular at the time of this writing is a two episode
(two episodes because it sucks) OAV (insert your own witty translation
here) titled Puni Puni Poemi, which is Japanese for pull my finger.
In this show, the ten year old character transforms into a Sailor Moon-ish
character
by gutting a fish and waving it around, while dodging her (female) best
friend who would like nothing more than to play doctor with her. Supposedly
a spinoff of Excel Saga, the only resemblance is the recycling
of the poorest characters, such as the pink suited, afro-toting
'director,' who has the acting skills
of Tim Allen (if that conjures up images other than 'suckass,'
admit yourself at the local asylum now). I suppose this show is funny
if you think gaudy concepts like boobs the size of heads, ten year olds
sucking on Connectix balls, and aliens
sniffing each other's testicles is comedic material. If
this makes you laugh, you probably also think M*A*S*H is funny. Stupid
and funny are not the same thing, unless your name is Ross Perot (and
only 'cause he's got those ears). If these sort of images appeal to you,
I have a better idea -- it's called crack, and three out of four college
students prefer it to cartoons. Futurama is funny. The sales figures for
the Final Fantasy movie are funny. The only reason anime geeks watch this
junk is because going out and renting real midget porn
would require interaction with three dimensional people.
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Most anime freaks are your pork rind munching
computer and D&D nerds who have never heard of a comb or a bar of
soap. Since these types magnetically repel members of the vagina possessing
category, the whole giant boob thing sprang up so these wankers would
have something to look at. And since these geek types likely got pushed
around and laughed at by normal members of society when they were children
(not that anyone who likes anime is emotionally mature to begin with),
they have a lot of fantasies where they strike back at the rest of the
world. One notes that anime freaks usually play a lot of violent video
games, or fling around some tinny made-in-Taiwan weapons
in laughable attempts to impress each other with false bravado. These
blobular types would never actually do something constructive like join
the military or engage in any serious martial art studies, because that
would require actual work (and showering). So perhaps it is not surprising
that the next most common attribute is the giant robot.
The
giant robot, always piloted (the word 'piloted' is always used, despite
the fact that the robots are land based tanks -- 'driven' is not sexy
enough for the Magic the Gathering playing anime crowd, who like to masturbate
to Top Gun while pretending they're Iceman)
by a lone individual, is a combination of blow-shit-up violence fantasy
and Big Man on Campus symbology. These giant robots, which are always
shaped as men and move with the dexterity and agility thereof, obliterate
legions of tanks, choppers, Godzilla, the UN, and so on. It is completely
illogical for the technology to exist to animate unstable tanks of such
a ludicrous shape to the fluid movements and speed they exhibit, while
the 'normal' tanks and military equipment they run over are still slow
as ever. The sole purpose is so that geek virgin
anime 'otaku' (Jap for dumbshit) can project themselves onto the robot
so they can feel like Superman and GI Joe at the same time.
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This
level of crap is not an archaic stereotype,
as the modern show Full Metal Panic (Since Japanese is a shitty
language, they have to feel cool by throwing a bunch of English words
that don't make any sense together, together. Have you seen their game
shows?) demonstrates. In this show, an illegal, mercenary, terrorist group
imposes its will on the world by murdering and destroying whatever they
don't like (no, they're not NATO). Its means of funding is left unclear,
but their tactics consist of sending in giant robots to blow everything
up, then jumping in the ocean and escaping. To further promote the idea
that the geeks who watch this crap are supposed to get their jollies by
pretending they themselves are giant indestructible beings, the robots
have eyes, mouths, and use cannons that look identical to assault rifles,
complete with irons and detachable 'banana' mags. It is never asked why
these giant robots can move ten times the speed of other tanks, nor how
they can fire their cannons at a full auto rate without falling over,
when the 'regular' tanks in the show exhibit tremendous recoil force under
a single shot, because again, they are not supposed to represent military
craft at all, but instead be a physical manifestation of geek-fantasy
to be invincible and possess the ability to destroy all that stand in
their way.
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And why the fuck does this robot have long
blonde hair? What the hell is that?
Exactly what purpose is that supposed to serve? Why does this other guy
have a knife? If you had a giant tank with super-AKs that could distintegrate
OpFor's entire mechanized battalions in single shots, why would you decide
that toothpicks are a superior weapon? The answer is that the wooden dildo
riding freaks you see at conventions like to swing their stamped-out-of-butter
penis-extensions at trees in their backyard, because "that
shit is hella tight, like that black guy in Blade."
Since the giant robots are supposed to represent manifestations of their
repressed egos, they too must engage in spork duels. Hey Sta-Puft, stop
masturbating to your stolen copies of Rurouni Kenshin and Gunsmith
Cats. They're fucking fiction, just like Star Trek (yeah, you heard
me, take off those stick-on ears), and the reason people pushed you around
in school is because of that dandruff collection you call hair and that
lard pile you call thighs. They could kick your ass then and they
can kick your ass now, so give up on your psychological revenge
obsessions, try using some deodorant, and going outside for a reason other
than because your equally
fat female anime geeks are dressing up in a cat costume
at a lame convention.
...but
wait! There´s more!
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